粉彩描金鹿耳百鹿图鹿头尊
Pastel color painted golden deer ears and deer head
年代:大清乾隆年制款
名称:鹿头尊
简介:鹿头尊，收口，双耳为鹿首，腹部上敛下垂，有"大清乾隆"款，倒置器身，若鹿头或牛头，故称之为"鹿头尊"或"牛头尊"。鹿头尊始于清康熙，至乾隆时期盛行，据介绍是模仿青铜器中尊的造型而创，五彩鹿头尊，多绘以青山绿树为背景，十几只鹿或一百只鹿奔跑、穿行于山林之间，故亦称"百鹿尊"。
Year of birth: qing dynasty qianlong year
Name: deer head zun
Introduction: deer head, closed mouth, double ears for the head of deer, abdomen convergence and droop, there is "qing qianlong" style, inverted body, if deer head or cow head, so called "deer head" or "cow head." Deer head started from kangxi of the qing dynasty and prevailed until the reign of emperor qianlong. According to the introduction, it was created to imitate the modeling of the bronze wares, and the colorful deer head was set in green hills and trees. A dozen or a hundred deer ran and walked among the mountains and forests, so it was also called "hundred deer head".
清乾隆年制粉彩描金鹿耳百鹿图鹿头尊
爱新觉罗·永琪(1741年3月23日-1766年4月16日)
图为乾隆时期烧制的粉彩描金鹿耳鹿头尊。此尊造型庄重、典雅，尊两侧对称的矾红描金鹿耳以及整作百鹿形态各一为主题装饰。整个图案设计巧妙，纹饰布局疏朗，是乾隆陶瓷中的精品。
乾隆时期的鹿头尊器型硕大，装饰图案也以鹿的各种活动场景及形态作主题渲染，因此又被称为"百鹿尊"。鹿头尊是厅堂陈设瓷，早期鹿头尊个体大而丰满。降及光绪后鹿头尊的器型被人为地缩小，此尊大气而不失气势，实属罕见，鹿头尊以鹿为题材显示了它在器型与装饰上的高度协调和融合性，但到了清晚期，由于主题与造型出现变化与偏颇，有损于鹿头尊在人们心中的印象，从而使这一清代早期创烧的新瓷种被边缘化.
The picture shows the royal deer head and ears painted in pink during the reign of emperor qianlong. This modelling is serious, elegant, honour the alum red that is symmetrical on both sides is painted gold deer ear and whole make 100 deer form one for the subject adornment. The whole design design is ingenious, decorative design layout, qianlong ceramics in the fine works.
The deer head in the qianlong period was large in shape, and its decorative patterns were also rendered with various scenes and forms of deer, so it was also known as "bailu zun". Deer head is the hall display porcelain, early deer head individual large and full. After reducing and guangxu deer head shape was artificially narrowed, the atmosphere and do not lose momentum, a rare, deer head statue shows the deer with it in the shape and the decoration on the height of the coordination and integration, but in the late qing dynasty, because the theme and shape changes and biased, damaging deer head impression in people's minds, so that the qing dynasty and early burn new porcelain marginalized.
鹿头尊，因形似鹿头而得名。“鹿”与“禄”谐音，寓意吉祥。白底上以粉彩描绘了仙人祝寿、仙山祥云、古松、寿桃等纹饰，画面中的鹿与作为“尊耳”的一对彩塑的鹿头，更将其主题强化，其中寓意大肚能容天下之事，器宇轩昂。
Deer head zun, due to the shape of deer head and named. "Deer" and "lu" homophone, meaning auspicious. In the white background, pastel colors are used to depict the decoration of immortal people's birthday, fairy mountain auspicious cloud, ancient pine and peach, etc. The deer in the picture and a pair of colored deer heads as "respecting the ears" are strengthened with the theme, which implies that the big belly can accommodate the whole world and is of high quality.
粉彩描金鹿耳百鹿图鹿头尊
Pastel color painted golden deer ears and deer head
尊敞口，口以下渐广，垂腹，圈足。肩部两侧各有鹿头装饰并镏金鹿头耳，极为少见。尊体绘百鹿，衬以山林人、小溪、灵芝、桃树、花草等景观。苍松翠柏下群鹿或奔跑，或相偎，或憩息，形态各异。寓意福禄寿。底书大清乾隆年制六字篆书款。整个形体似鹿头形状，俗称“鹿头尊”。乾隆朝粉彩鹿头尊有三种纹饰:松石百鹿、山水楼阁人物、蝙鹿，是清代皇室大型陈设器，极具收藏价值，其投资空间、观赏价值很大。
sincere big collector, zun exposure, the mouth below gradually wide, hanging belly, ring foot. On each side of the shoulders, there were heads and gilded heads, rarely seen. Zun body painted a hundred deer, with mountain villages, streams, ganoderma, peach trees, flowers and other landscape. The deer under the cypress of the pines or run, or lean against, or rest, various forms. It means happiness and longevity. The base book of the qing dynasty qianlong year tianzi seal style. The whole body is similar to the shape of deer head, commonly known as "deer head honour". In the qianlong dynasty, there were three kinds of ornamentation on the head of deer in pastel color: songshi bailu, landscape pavilion characters, and bat deer. It was a large display device for the royal family in the qing dynasty, with great collection value, as well as great investment space and ornamental value.
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